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Home » Bonnaroo skipping 2027 festival as storm damage forces Farm recovery
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Bonnaroo skipping 2027 festival as storm damage forces Farm recovery

Norris HopperBy Norris HopperAugust 27, 2026No Comments4 Mins Read
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Bonnaroo skipping 2027 festival

Bonnaroo skipping its 2027 festival is now official, with organisers confirming the Tennessee event will take a full year off before returning in 2028, citing back-to-back seasons of severe weather damage to its site near Manchester, Tennessee.

The decision was announced in a statement published on the Bonnaroo website, addressed directly to what the team called their ‘Bonnaroo Family’. It is a rare, possibly unprecedented pause for one of the United States’ most enduring outdoor music gatherings, and it underlines how badly repeated flooding events have taken their toll on the land known as The Farm.

Back-to-back storms force the issue on Bonnaroo skipping 2027

The 2026 edition did not pass without incident. Safety measures at this year’s event included the delay and cancellation of multiple sets, the evacuation of some festival areas, and periods when attendees were advised to shelter in place following a heavy rainstorm on the Sunday. The disruption came despite a substantial programme of site improvements carried out in the months leading up to the festival.

According to the organisers’ statement, those preparations included 4.5 miles of new roadways, 135 acres of new grass, and improved drainage across the campgrounds and Centeroo performance areas. The intention was to strengthen The Farm’s resilience ahead of the 2026 event. It was not enough to prevent further disruption.

The 2025 edition was similarly affected, having been cut short after heavy rain and flooding, according to 92.1 Hank FM. That two consecutive years have now seen significant weather-related problems explains why the organisers felt the land itself needed time away from the weight of a major festival. ‘With limited time to recuperate from back to back years of storms,’ the statement reads, ‘The Farm, particularly the main venue, needs a break to rest and recover.’

The investment poured into the site before 2026 shows the team had been trying to adapt rather than step back. That those improvements still could not fully protect the event points to the scale of the problem they are dealing with.

What the organisers said, and what comes next

The language in the statement is candid about how difficult the call was. ‘This wasn’t an easy decision, and not one we take lightly,’ it reads, ‘but in our hearts, we know this break will only make Bonnaroo better.’ There is no hedging about the timeline: 2027 is gone, and 2028 is the target return.

For the many acts and crews whose livelihoods depend on the summer festival circuit, a year’s absence from a booking of Bonnaroo’s scale is a concrete loss. The festival is a significant stop on the North American touring calendar, particularly for artists at the point in their career where a major-stage slot translates directly into broader visibility. A gap year disrupts that pipeline for everyone in the ecosystem around it: agents, promoters, vendors, local workers near the Manchester site.

The organisers close their letter with a request to ‘continue radiating positivity in your community throughout the year’, which is the kind of thing you might roll your eyes at in a corporate press release. Coming at the end of a statement that is otherwise honest about struggle, infrastructure failure and financial outlay, it lands a little differently. The people running this thing are clearly frustrated, and clearly attached.

Bonnaroo has weathered its share of difficult moments across its history. Whether the 2028 edition carries the momentum that a healthy 2027 would have generated remains an open question, but the organisers have given themselves the time to make the site genuinely ready. The return in 2028 is now the date everyone on The Farm’s long list of loyal attendees will be working towards. Jazz Monroe, whose writing also appears in The Guardian, covered the original announcement for Pitchfork.

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Norris Hopper

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